Exhibition
Furore
Nina Paszkowski
5/6/2026 – 21/02/2027
Opening: 4/6/2026, from 6 PM
The solo exhibition by Nina Paszkowski, titled “Furore”, refers to the spectacle that has long shaped the Bärenzwinger: the principle of display and staging—whether through living animals, ideologically charged urban identity, or contemporary art. “Furore” describes a form of public attention that moves between fascination and unease. What attracts and excites can also turn into indignation or anger. Paszkowski approaches this anger through mythological figures whose name resonates in the exhibition title: the Furies. In Greek mythology, they appear as furious avengers who, through an act of mercy, undergo a process of becoming human and transform into the benevolent Eumenides.
In “Furore”, the Furies appear as larger-than-life guardians. Against the backdrop of the site’s history—where spectacle has long been intertwined with control and violence—it remains uncertain whether they will enact revenge or grant mercy here. In Paszkowski’s work, anger does not remain confined to destruction. Instead, it appears as a force capable of breaking open existing conditions and making new forms of coexistence imaginable. The transformation of the Furies is mirrored in a changing constellation of works within the Bärenzwinger itself: over the nine-month duration of the exhibition, anger erupts from the walls of the former bear enclosure in the form of ceramic proliferations, carving out new paths. What remains are open wounds that inscribe vulnerability into the space and raise questions about the persistence of violence and the possibility of healing.
Curated by Janine Pauleck, Annika Reketat and Tina Quednau
Event program
Akt 1
For staying is nowhere.
June 12–14, 2026
Akt 2
Does the cosmic space,
we dissolve into, taste of us then?
August 7–9, 2026
Akt 3
Nowhere will world be, but within.
October 16–18, 2026
Loosely drawing on Rainer Maria Rilke’s Duino Elegies (1922), the artistic program of the Bärenzwinger unfolds in a four-part dramaturgy between 15 May and 18 October. Written over the course of ten years, Rilke’s cycle of elegies traces a movement of searching that begins with an invocation of places, people, and things from the past, and gradually leads to the question of how to engage with what is missing. Within the tension between conservation and transformation, the Bärenzwinger monument becomes both setting and stage for an artistic exploration of how loss might be approached in the face of an uncertain future.
Rilke’s response is not a resolution but a movement: memories do not survive through preservation alone, but by entering new contexts and changing in the process—thus opening a path for what does not yet exist. While the elegies themselves offer no final closure, the program sets a trajectory toward the tenth anniversary of the Bärenzwinger as a municipal gallery in 2027.
Curated by Luise Haubenreiser, Philipp Hennch, Pauline Kling, Kaya Peters and Josephine Steffens
Artistic Research Project
Comming in October 2026
The artist Qusay Awad is invited to carry out an artistic research project to delve further into the annual theme Heimsuchungen/Hauntings. In view of the upcoming anniversary year 2027, the research project will aim to examine and reflect on the 10-year exhibition history in relation to the architecture and history of the Bärenzwinger. Throughout the year, interim updates of the research project will be presented and starting in October, the result of the project will be exhibited.
Curated by Alin Daghestani and Hannah van der Est