{"id":92,"date":"2019-07-20T19:02:40","date_gmt":"2019-07-20T17:02:40","guid":{"rendered":"https:\/\/baerenzwinger.berlin\/en\/?page_id=92"},"modified":"2022-12-06T09:38:58","modified_gmt":"2022-12-06T08:38:58","slug":"worlding-it-otherwise-or-else","status":"publish","type":"page","link":"https:\/\/baerenzwinger.berlin\/en\/exhibitions\/worlding-it-otherwise-or-else\/","title":{"rendered":"WORLDING IT OTHERWISE OR ELSE"},"content":{"rendered":"\n
\n
\n
\n
\n

<\/p>\n<\/div>\n\n\n\n

\n

Beth Collar
Stephanie Comilang
Magdalena Los
Anna M. Szaflarski<\/p>\n\n\n\n

\"\"
[Foto] Marlene Burz<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

<\/p>\n<\/div>\n\n\n\n

\n
\n
\n

Opening
02\/14\/2019, 7pm

Welcome<\/p>\n\n\n\n

Dr. Ute M\u00fcller-Tischler
Head of Department Art and Culture<\/p>\n\n\n\n

About the exhibition
Marie-Christin Lender and
Christopher Weickenmeier<\/p>\n<\/div>\n\n\n\n

\n

Exhibition
02\/15\/19 – 05\/05\/19

03\/22\/2019, 7pm
Book Launch<\/p>\n\n\n\n

\u2033B\u00e4renzwinger Berlin | Traces \u2013 Architectures \u2013 Projections\u2033<\/p>\n\n\n\n


04\/10\/2019, 7pm
TheoryWednesday<\/p>\n\n\n\n

Film Screening \u00bbDonna Haraway: Story Telling for Earthly Survival\u00ab Fabrizio Terranova
Welcome and Discussion with Isabel de Sena<\/p>\n\n\n\n


04\/28\/2019, 3 + 5pm
Gallery Weekend Special<\/p>\n\n\n\n

Performance \u00bbDer Prolog Akt 2\u00ab
Aran Kleebaur and Liesa Sophie Harzer<\/p>\n\n\n\n


<\/p>\n<\/div>\n<\/div>\n\n\n\n

\n
\n

\u00bbWorlding It Otherwise or Else\u00ab explores how artistic work works.<\/p>\n\n\n\n

Beyond the material conditions of production, artists may invent their own set of conditions and relations through which their work is rendered working.<\/p>\n\n\n\n

And those circumstances are no less real, significant, or material for that matter.<\/p>\n<\/div>\n\n\n\n

\n

Taking this supposed paradox as a starting point, the group exhibition assembles four artists that each in their own way define laws, narratives, and forces \u2013 effectively putting worlds into practice, making things visible that are there and that are not.<\/p>\n\n\n\n

Exhibition & events curated by
Marie-Christin Lender,
Christopher Weickenmeier
Evelyn Gregel, Nandita Vasanta<\/p>\n\n\n\n

Download Concept<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

\n
<\/div>\n\n\n\n
<\/div>\n\n\n\n
<\/div>\n<\/div>\n\n\n\n

Beth Collar<\/h2>\n\n\n
\n\t\n\n
\n\t\t\t\n\n

<\/p>\n\n\t<\/div>\n\n\n\n

\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\n\n

Beth Collar<\/a><\/a> is an artist working predominantly in performance and sculpture or in the shared ground between them. She was born in Cambridge, England in 1984. Recent solo projects have been at Mathew Gallery, New York; Primary, Nottingham and Matt\u2019s Gallery, London, 2018; Standpoint, London, 2017 and at Fig 2, ICA, London, 2015. Recent group shows and performances have been at Sans Titre, Paris; Cafe Oto, London; Kunstverein M\u00fcnchen; Kunstraum, London, 2017; Glasgow Women\u2019s Library, Glasgow; Freud Museum, London; KW, Berlin, 2016; Cubitt, London;\u00a0Rijksakademie, Amsterdam; Raven Row, London; the Serpentine Galleries, London; She was recipient of the Mark Tanner Sculpture Award 2016\/17.<\/p>\n\n\t<\/div>\n\n<\/div>\n\n\n\n

Stephanie Comilang<\/h2>\n\n\n
\n\t\n\n
\n\t\t\t\n\n

<\/p>\n\n\t<\/div>\n\n\n\n

\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\n\n

Stephanie Comilang lives and works between Toronto and Berlin. She received her BFA from Ontario College of Art & Design. Her documen-tary-based works create narratives that look at how our understandings of mobility, capital and labour on a global scale are shaped through various cultural and social factors. Her work has been shown at Ghost: 2561 Bangkok Triennale, International Film Festival Rotterdam, Asia Art Archive in America New York, and SALTS Basel.<\/p>\n\n\t<\/div>\n\n<\/div>\n\n\n\n

Magdalena Los<\/h2>\n\n\n
\n\t\n\n
\n\t\t\t\n\n

<\/p>\n\n\t<\/div>\n\n\n\n

\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\n\n

Magdalena Los (*in Jastrz\u0119bie-Zdr\u00f3j, PL) lives and works in Hamburg and Cologne. Her Zodiac sign is pisces, in the dog horoscope after D. R. Otalora she is a dalmatian. In her work she combines objects, performance, editions and text. Her main quality is mutability, which makes her hard to pin down. As a passionate storyteller she likes giving people what they want, but not what they thought they wanted. Her work has been shown in the Kunstverein Hamburg, Kunstverein Harburger Bahnhof, Gro\u00dfe Kunstschau Worpswede, and in a lot of spaces under the radar in Germany, Poland, London and Italy.<\/p>\n\n\t<\/div>\n\n<\/div>\n\n\n\n

Anna M. Szaflarski<\/h2>\n\n\n
\n\t\n\n
\n\t\t\t\n\n

<\/p>\n\n\t<\/div>\n\n\n\n

\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\t<\/div>\n\n\n\n
\n\t\t\t\n\n

Anna M. Szaflarski’s <\/a>works in illustration, narrative writing and sculpture reference themes related to psychedelic, surreal, supernatural, and feminist science fiction that questions the purpose and potential of the female body. In her work she combines objects, performance, editions and text. Her main quality is mutability, which makes her hard to pin down.<\/p>\n\n\n\n

Recent projects include exhibitions at the Vernacular Institute in Mexico City, and Ashley Berlin, and publication projects such as her collection of essays in Letters to the Editors (2015). She is currently working on an upcoming collection of texts and illustrations to be published in the summer of 2019 (Bom Dia Boa Tarde Boa Noite & AKV Berlin).<\/p>\n\n\t<\/div>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Beth Collar Stephanie Comilang Magdalena Los Anna M. Szaflarski Opening02\/14\/2019, 7pm Welcome Dr. Ute M\u00fcller-TischlerHead of Department Art and Culture About the exhibitionMarie-Christin Lender andChristopher Weickenmeier Exhibition02\/15\/19 – 05\/05\/19 03\/22\/2019, 7pmBook Launch \u2033B\u00e4renzwinger Berlin | Traces \u2013 Architectures \u2013 Projections\u2033 04\/10\/2019, 7pmTheoryWednesday Film Screening \u00bbDonna Haraway: Story Telling for Earthly Survival\u00ab Fabrizio TerranovaWelcome and Discussion […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":10,"menu_order":111,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"categories":[6],"class_list":["post-92","page","type-page","status-publish","hentry","category-ficitional-odyssey"],"acf":[],"_links":{"self":[{"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/pages\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":32,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/pages\/92\/revisions"}],"predecessor-version":[{"id":1826,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/pages\/92\/revisions\/1826"}],"up":[{"embeddable":true,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/pages\/10"}],"wp:attachment":[{"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/baerenzwinger.berlin\/en\/wp-json\/wp\/v2\/categories?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}